At The Royal Festival Hall. London.
Yes the day has finally arrived where I have to
miss the New York Dolls so I can see Lou Reed
perform Metal Machine Music!! A day I thought
would never happen let alone in 2010. What odds
could you have got on that in say 1989 maybe 2
million to 1. Then a guy got on the tube with a
red tea pot it's that sort of a day, I'm not
sure if I have my head ready for this or not.
But I'm sure some strong alcohol will sort that
out, oh and a good smoke just along from Kevin
Sheilds ought to do it.
The main review is being written as the show
unfolds so I can convey what the night is like
and what it does to me as it happens, so i will
now try to translate the hieroglyphs of my awful
handwriting while stoned out of my brains.
I'm sitting at the front of the cheap seats in a
little more than half full hall, So I am a fair
way back but refused to pay more to see Lou with
a trio than it cost to see John Cale with a full
orchestra in the same venue.
There is some drone noise vacuum pump thing
blaring over the tannoy before Lou and the boys
arrive. On stage Is one massive gong, one
massive drum, A Saxophone, 4 guitars, Keyboards,
Effects and computers. I hope the mainly in the
bizz music nut crowd is ready for what's to come.
I have a double rum to keep me company on this
voyage that is about to begin. This noise is
mad!!
Lou is joined in his trio by Ulrich Kreiger and
Seth Calhoun, it's not quite as empty as the
Albert Hall last time I saw Lou but there are
empty seats all over the place, Lou's late and
this noise just doesn't stop or change but it's
tripping me out already.
They take the stage to applause before starting.
They stare at guitars feeding back, look at the
drum start twiddling away pulsey rhythms open up
my world in sound, Gong earthquake sheet of
sound. Noise tyres squeal over tidal wave crash
of reverb, give me the rum, ostrich guitar gives
way to an exploding plastic inevitable mindfuck.
Estrangement of my stomach as it is moving
independent of my body, bewilderment of my body
shaking revolving sax blurts in between the mess
of noize.
Ships horns in hell, whales collide screaming
skronk begins reality dimensions of brain
effluent of time signature. Jimi's star
crucified. Quiet is worse than loud why? Troughs
of sound make me numb paralysed as golgotha's
signal strikes and down we go of deep despair
castrati wail and wail in agony. Beyond
everything people leave early, why did they come
it said it was going to be Metal Machine Music
what did they expect.
Implosion implosion disposition distortion
contortion of eruption. Eruptions of sounds so
strange they begin to collapse my mind to hell
why did you come if your going to leave early
distortions fearless of worlds within this
noise great dissension an a nightmare march to
oblivion fleeing to other dimensions swaying
above or below you. Aylers Ghost rises once more
in the maelstrom. Rumble in the rubble of skronk
skronk skronk!! Lou's standing by the amps once
more. If you didn't want the headache why come.
Strychnine meth amphetamine mephedrone super
dilaudid dreams of a pcp encrusted world of
opiated meth dreams of sleepwalking nightmare 7
day high no sleep till noise day. Screeds of
what the hell ever over drone drum feedback
medicine. You prefer spatial displacement of
what this noise is doing to the cortex of my
brain tympanic membrane could shatter or crumble
to dust as shattering duels take place is that
the amine b ring of hades lost control of my
mind again. rumble beneath my sphincter shatter
my perceptions in the crevices of my mind
Good applause from the survivors of this sound
trip.
I walked out numb and struggling to walk and
most of the faces were of the walking dead glad
to have survived Lou Reed's Metal Machine Music
Trio. Please let me know if this makes any sense
at all.
About simonovitch
Writer poet music freak etc etc based in London you'll find out more by reading my blogs.